PRESENTATION
Romain Gandolphe realises simple actions, adapts himself to the context, thinks the work-spectator relationship, counts as far as possible, has an imaginary friend, paints the white walls in white, realises complete darkness, wonders when does the performance start, plays with words, doesn’t take his breath, spends energy, tries oral tradition, searches his memories, constructs a living memory, produces works without objects and forms without shapes, aims for immaterial, and last, he talks, and he talks a lot.
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