PRESENTATION
French, born 1991, lives and works in Lyon, France
The construction of the self-image passes through what can be called a collective body. The body like another. I like another. The body is both the medium and the tool. Axelle Pinot considers that she is fully part of her work as much as the moments when she performs for the other than those in which she delegates performance. It transmits the protocol and the performer carries it in him. She questions the dissolution of self, considering anonymity and discretion as forms of resistance. It is opposed to a form of spectacularization of performance, in a time out of co-presence, or a fortuitous co-presence.
REPRESENTED ART SCHOOL
